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Singkat cerita, pada tahun 1880 lah musik Keroncong baru benar-benar hadir dan dikenal sebagai identitas musik dari Indonesia.
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The power of monetary capital, the superiority of technologies, as well as the sophistication of promoting floor down regular music. This paper tries to research the “keroncong” music in Indonesia that can however be maintained or popularized via different methods and by building an appropriate media of marketing such as as a result of television and radio to ensure that Culture are common to “keroncong” music.
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a similar energy was completed by Didi Kempot and Koko Thole that has given new colour to “keroncong” music. They manufactured endeavours to spread “keroncong” music to a wide array of Modern society and likewise create the music by itself.
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Apabila dilihat dari perkembangan musik saat ini, kami yakin mungkin pendengar musik Keroncong sudah menurun dengan sangat drastis dari tahun ke tahunnya. Bahkan mungkin beberapa orang dari kita masih sangat asing dengan musik ini.
Selain adaptasi dari musik Fado yang dibawa bangsa Portugis di abad ke-16, musik Keroncong sendiri baru secara resmi dikenal di Indonesia pada tahun 1880. Perubahan yang terjadi dari pertama kali musik Fado masuk ke Indonesia adalah nada-nada yang digunakan.
Ada beberapa nama besar musisi Indonesia yang memilih Keroncong sebagai musik utama mereka, atau pun sebagai salah satu jenis musik yang mereka gunakan.
Salah satu alasannya adalah karena alat musik yang digunakannya adalah alat musik yang kental kaitannya dengan budaya Indonesia, seperti rebab, suling bambu dan juga set gamelan.
for that reason, “keroncong” artists ought to make innovations or modifications that will bring in individuals’s desire to “keroncong” music. they ought to generate track lyrics that reflec the life of Modern society or get themes that is definitely in accordance for their period.
Pada masa itu, para pegiat musik Fado harus menyanyikan lagu-lagu mereka di dalam Gereja Protestan dan secara tidak langsung nada yang biasa mereka gunakan pun berubah menjadi mayor.
Akar dari Keroncong ternyata sudah masuk ke Indonesia abad ke-sixteen dan dibawa oleh para pelaut dan budak kapal dari here Portugis.
The emergence of “campursari” in the nineties, pioneered by Manthous, introduced a power of curiosity and became a magnet for fans and activists of “keroncong” and classic music so which they respect the music and several teams of “campursari” music that is rooted from “keroncong” grew.
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